Label: Robsoul Recordings
Catalogue#: ROB110
Style: House
Rls Date: 18 May 2012
Quality: 320 kbps
We’re very happy to welcome French artist JR From Dallas on Robsoul. Straight Up Jacking Beats.
Style: House
Mixtape Date: 18 May 2012
BPM ~128
Quality: 320 kbps
Duration: 02:23:56
DISCO IN THE HOUSE. N-JOY!
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Label: Adriatiko Recordings
Catalogue#: ADR 048
Style: Disco / Nu Disco
Rls Date: 01 May 2012
Quality: 320 kbps
The electro-funk wizard is back! After a 2 year hiatus, Sneak-Thief has assembled a remix crew consisting of Ichisan, Zarkoff & Onazis for a Balkan tour-de-funk. Adriatiko delivers precisely what dancefloors need today to sweep away the dilettantes and synth posers.
Stray Cat Boogie is a ball-busting vamp, featuring a grimy electric piano that parries, dodges and twists around a sneaky analog modular bassline. This one’s for the booties and hips, no doubt.
Sneak-Thief then hands it over to Ichisan who discofies the living crap out of the original and takes it into the cosmos with suave style and massive stereo ambiance. Next up is Zarkoff who grabs the boogie baton (!) and delivers a bolt of lightning with a gentle Hammond organ crescendo that explodes unexpectedly into a deftly-fingered acoustic guitar hook.
With the ball back in Sneak-Thief’s court, Stray Fret Boogie rips out the analog bass and instead slaps in a heavily chorused Fender Strat, that mixes grinding, sweaty, & rhythmic disco-funk into a potent cocktail. Onazis takes the stray frets, drops them down an octave and makes everything fresh, bright and modern. Very slick.
Label: Suruba
Catalogue#: PLAYA005
Style: House
Rls Date: 14 May 2012
Quality: 320 kbps
Summer season is back and with it Playa, the most organic and warm label from Suruba family. For this occasion the newest spanish talent Fernando Sanz, remixed for his first ep by the Chileans Andre Butano, Fly or Tech and of course by the most Suruba Pakistani VIVID.
This young andalusian settled in Madrid appears with this great Ep showing his great, elaborated… serious style. A pair of cuts that fit perfect with Playa´s soul.
Some of the hottest Chilean producers on his latest productions, such as the ones published on Cadenza, 8Bit, Cecilé, Brise, Defected and Suruba….Almost nothing!
A remix based on “hot” end elegant sounds with that Chilean taste that likes so much.
Finally a deeper remix from VIVID, this one with the most electronic cut from the ep.
VIVID is Hassan Malik, a young Pakistani who has grown in the Suruba family, editing his tracks in Suruba X, Suruba D, Suruba and now in Playa.
Label: Left’d (Leftroom)
Catalogue#: LEFTD009
Style: House
Rls Date: 14 May 2012
Quality: 320 kbps
Leftroom’s Left’d offshoot, an imprint dedicated to unearthing and developing fresh talent, delivers a brand new split EP from label debutantes Antonio Del Prete and Julie Marghilano feat Sunday Luv. Antonio Del Prete is up first on Left’d009 and the young Italian producer delivers two original, futurist takes on deep house. Stuttering rhythms, heavily vocoded vocals and echoes of Basic Channel all combine into a striking and engaging mix on the sensibly titled ‘Future Dub’ while a distinctly more classic house tone is employed on the melodic and rousing ‘Recovery in Berlin’. Classical violinist and serial club promoter Julie Marghilano teams up with Sunday Luv for her two tracks and the results round off an EP with finesse. Raised on Jazz by a father who worked with the likes of Frank Sinatra, Marghilano has spent her adult life in the warm embrace of house music as a DJ at Echoes And Peter Pan in Riccione before moving on to Berlin’s fertile scene. Ultra modern and sharp, her tracks manage to be melodic and cosseting while employing real restraint. Two hugely exciting prospects on show here courtesy of Left’d…..
Label: Audio Tonic
Catalogue#: AT010
Style: House
Rls Date: 14 May 2012
Quality: 320 kbps
Dubai’s Audio Tonic return with the ‘Comeback’ EP by Frankey & Sandrino, featuring a remix from rising London based French producer Giom.
Following the success of the ‘Audio Tonic WMC Sampler’ release which saw tracks from Ian Pooley and Vincenzo, Audio Tonic deliver yet another slice of deepness abundant in depth and warm textures.
Title track ‘Comeback’ opens with a classic organ hook and tribal percussive hits before cleverly working in a warm sub bass underneath the organ to further engross the sound. Additional elements add a soulful character to the track, using a vocal snippet throughout alongside a warm stabbing synth pattern to create an intense deep house workout.
Giom strips back the original yet maintains the key features, implanting his upfront drum pattern and sharp shooting low-end hits. The warm strings from the original piece work as a pressure builder to a breaking point where warbling bass notes creep in briefly before revisiting the fresh new loopy groove with a slice of the vocal running in recurrence throughout.
MY HIPPIE FUNKY BEAT MIX.
Consists of tracks from artists such as:
A-Skillz, Beatles, DJL, DJ RUDD,
Featurecast, C. Reid, Ray Charles,
Basement Freaks, Michael Weisberger,
South City All Stars, Aldo Vanucci, B Side,
Jayl Funk, BadboE, Dutty Moonshine,
Morlack, Wiccatron, Freak-Fu, Muza Yakuza.
N-JOY! YO!
BALEARIC DEEP DISCO BEATS, INCL. MIDDLE TRACKS BY:
Incarnations, Pepe Link, Tamiko Jones, Anne Wirz, Ame Strong, Ame Strong SA, Lexx, Daniel Kyo, Sare Havlicek, Ichisan, The Revenge, Mario Basanov, Richard Earnshaw, Imogen, Max Essa, Ajello, Trujillo, Lucy Walker, Social Disco Club, Katzuma, Coyote, Bagarre. N-JOY!
Style: Electronic / Nu Disco
Mixtape Date: 04 May 2012
BPM ~120
Quality: 256 kbps
Duration: 01:30:09
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Style: №1 BEAT IN ALL WORLD
Mixtape Date: 05 MAY 2012
Quality: 320 KBPS
BPM-120
Duration: 1:02:10
THE BIG FUNKY STAFF. THIS — RULEZ! PEACE
Since you will be: DJ Twister aka Vinyl Cat, Johnny Pluse, Peabird, Manmade, Beatmaker Bahamat feat DJ Den Swimmer, D End, Mick & Marc, Arthur Baker, Stereo Beatz vs Myniemo
Label: Kiko
Catalogue#: KIK 015
Style: House / Nu Disco
Rls Date: 16 May 2012
Quality: 320 kbps
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Label: Nurvous Records
Catalogue#: NE22561
Style: Indie / Nu Disco
Rls Date: 15 May 2012
Quality: 320 kbps
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Label: KD Music
Catalogue#: KDM005
Style: Tech House / Techno
Rls Date: 14 May 2012
Quality: 320 kbps
After massive support from Djs like Loco Dice, Marco Carola etc. and several releases on labels like Monique Musique, VIVa Music, Takt Records and Great Stuff we are proud to present you one of the nicest Slovenian youngsters on KD Music! F.Sonik delivers 2 outstanding Tech-house tracks, filled with great percussion loops, catchy vocal snippets and rolling basslines! Both tracks are fully oriented to the dancefloor! and already hammered by Nicole Moudaber. The Forest People remix on the flipside is made by the label owners themselves — no more words necessary!
Label: Future Classic
Catalogue#: FCL69
Style: Nu Disco / Deep House
Rls Date: 14 May 2012
Quality: 320 kbps
Flight Facilities have a brand new single called ‘With You’, this time featuring the vocal work of Hot Chip drummer Grovesnor – something darker, something deeper and something more mature.
The duo from Sydney bought you 2010’s pop hit ‘Crave You feat. Giselle’ which has netted over 5 million plays on Youtube to date, appeared in cult shows such as How to Make It In America, hit the top 20 in Triple J’s Hottest 100 and even impressed Perez Hilton. In 2011 they released the 70’s disco throw back ‘Foreign Language feat. Jess’, once again it cracked Triple J’s Hottest 100, topped Australia’s Independent Music Charts, was loved by The Cool Hunter and turned out to be the song Leonardo DiCaprio requests when he’s out clubbing! In that time Flight Facilities have also gone on to remix Cut Copy, Holy Ghost! and Foals and play sell out shows and festivals all across the US, Europe, South America and Japan.
Alright, alright – who’s on the remixes?!
Flight Facilities are first up with their personal extended mix, Germany’s David August, the 20 year wiz kid who’s just be inducted into cult Hamburg label Diynamic, enters with a pitch shifted druggy flip on the original. Danny Daze is the man behind the HUUUGE Hot Creation anthem ‘Your Everything’ and has gone crazy with his glitched out Aphex Twin-esk 5AM mix while UK duo MAM (Matt Hughes and Miguel Campbell) bring it back with a chunky bass and Rhodes summer anthem.
Label: Jazzy Sport
Catalogue#: JSV
Style: Disco / Nu Disco
Rls Date: 04 February 2011
Quality: 320 kbps
This seven-track collection gathers together the vinyl-only cuts from Georg Levin’s 2010 album Everything Must Change, adding various alternate versions and instrumentals. The title track is the former Sonar Kollektiv mainstay’s best track since «When I’m With You», his impeccable 2000 debut. It has just the right mix of heartfelt soul, electro-funk swing and smooth dancefloor bump. It’s presented here in both vocal and instrumental versions, with the former standing out. Stevie Wonder cover «That Girl» is good fun, too, especially the Dub Mix, which throws in some sprightly house-not-house drums and killer synth bass hooks for a more floor friendly vibe. The EP closes with vocal and instrumental versions of the ultra-smooth «I Need To Understand».
If you pay little attention to the Japanese scene, Grooveman Spot may have passed you by. While European and US listeners may know him best for last year’s sneakily discofied deep house release on Motor City Drum Ensemble’s imprint (with a languid remake of Michael Wycoff’s “Looking Up To You”), the Tokyo-based DJ/producer has almost a decade’s worth of releases behind him.
Runnin’ Pizza is his third album, following two acclaimed sets of wonky hip-hop experiments and dayglo dancefloor grooves. This time round he’s decided to go for a more house-heavy feel, utilising jazz, hip-hop, electro-funk, disco and electronica influences to pep up his dancefloor-friendly 4/4 flavours. These fusions are at times joyously eccentric, at others deep and meaningful, but they’re always brilliantly forward thinking. At the heart of the album is a series of slo-mo cuts that ooze quality. The slow acid/electrofunk throb of “Chocolate Funk” is a particular delight, and recalls the similarly slow-but-heavy workouts of Eglo mainstay FunkinEven.
There’s also a brilliant, bongo-laden journey into midtempo rave (“SHG Rhythm”) and a woozy acid-meets-disco percussion jam called “Do That Dance”. Both are fantastic. Elsewhere, the Japanese producer turns his hand to smacked-out Balearic beats (“32 Midnight”), cosmic head-nodders (“Take Back”), Idjuts-ish dub disco (“Don’t Need”) and slick 80s grooves (“Ur Love”) – all with equally impressive results.
Label: Banging Grooves
Catalogue#: BGR 113
Style: House
Rls Date: 03 May 2012
Quality: 320 kbps
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Label: Mangled
Catalogue#: REGCD08
Style: Disco / Nu Disco / Funk / Soul
Rls Date: 01 June 2009
Source: CD
Quality: 320 kbps
Nice surprise, this little CD release by Ray Mang, featuring 9 reworks/rerubs/edits that were previously stricly vinyl (on his own label Mangled). I already own quite a few of those 12″ so nothing new for me here, but it feels great to have all that tasty stuff on one shiny disc.
Particular highlights for me are the rework of Love Dancing (a partystarter if I ever heard one), the squelchy/bleepy Awright and, most of all, Cereal Dancing (soulclaps, electric guitars and jazzy keys, sounds pretty perfect to me). Let’s start out with this stellar rerub though…
Ray Mang better known to his buddies as Raj Gupta is the behind the scenes studio guy who has had a hand in some of the UK’s finest Discoid moments ever released! A plethora of releases stretching over a decade on labels like Noid, Fiasco, U Star, Nuphonic etc etc have cemented his reputation as an amazing producer in his own right and engineer extraordinaire for the likes of the Idjut Boys, Glimmer Twins & many more. Last year saw us deliver some amazing and well received new releases on the Mangled label. Here we have the highly anticipated debut compilation CD featuring some of Raj’s favourite moments alongside the exclusive & SUPER sought after secret weapon «Rockcake». This is without doubt a stunning collection of tracks, chosen as much for their unsung musicality and dynamic production as their effectiveness on the dancefloor — Essential!
























